I design custom, photorealistic 3D assets and motion graphics using Cinema 4D and Redshift. Engineered to transform standard websites, SaaS apps, and marketing campaigns into immersive, high-converting digital experiences.
I utilize Cinema 4D paired with the industry-leading Redshift rendering engine. This allows me to craft complex, physically accurate textures—whether it’s flawless translucent glass, matte tech-plastics, or brushed metals—delivering enterprise-grade visual fidelity.
Heavy files kill web performance. Because I am a Product Designer, I don’t just render heavy sequences; I technically optimize every asset. You get lightweight, hyper-compressed WebP, MP4, and Lottie animations ready for smooth loading in Framer and Webflow.
This isn't generic 3D art. I design spatial visual setups that complement your UI hierarchy. From 3D device mockups showing your live software in action to abstract spatial metaphors that explain complex SaaS features at a single glance.
1
Days 1–3
We define the creative direction. I create initial composition drafts and gray-box layout blocks to align on lighting, perspective, and screen framing before diving into complex polygonal modeling.
2
Days 4–8
I build the custom 3D geometries inside Cinema 4D. I develop the unique shaders, adjusting refractive indices for glass, roughness constants for metallic elements, and sub-surface scattering.
3
Days 9–12
I set up cinematic, multi-source lighting environments inside Redshift. If animation is required, I script fluid micro-motions, camera fly-throughs, and loopable transitions to keep the visuals dynamic.
4
Days 13–15
I execute the final, multi-pass rendering. Every frame goes through professional color grading and post-processing. I hand over a comprehensive asset pack containing high-res stills, transparent frames, and optimized web-video loops.
Creating 3D visuals for enterprise-level market leaders like M.Video requires more than just artistic skill—it demands a deep understanding of brand infrastructure and interface logic. I don't just render standalone graphics; I construct unified, high-fidelity 3D asset systems engineered to integrate seamlessly into complex digital products, user flows, and conversion-driven promotional frameworks.
Just like the comprehensive asset system designed for M.Video, every 3D element I build is part of a structured visual language. I maintain strict control over material networks, lighting rigs, and geometric parameters, ensuring that your product's 3D iconography remains perfectly consistent across mobile screen layouts, desktop web panels, and marketing campaigns.
Asset Systems
Library Scaling
Consistency
Leveraging the professional capabilities of Cinema 4D and the Redshift rendering engine, I deliver physically accurate textures, translucent glass shaders, and premium lighting environments. Every final render is strictly optimized for digital integration, converting heavy spatial assets into lightweight, web-ready formats that preserve high loading speeds.
For Focused Needs
Perfect for adding a premium touch to your landing page hero section, a product showcase, or creating a high-fidelity key visual.
1 bespoke 3D object modeled and shaded from scratch
Cinematic lighting environment setups using Cinema 4D & Redshift
Photorealistic, high-density material textures (Glass, chrome, matte plastics)
High-res transparent outputs optimized for web layouts (PNG, WebP up to 4K)
Full commercial usage rights and project asset integration support
Timeline
3 Business Days
Price
from $500
Most Popular
Designed to build a complete, cohesive 3D visual language for your entire digital product, app interface, or marketing ecosystem.
5 to 8 custom, production-ready 3D elements / interface icons
Strict visual consistency across the entire library (Unified lighting & palettes)
Modular layout compositions (Objects can be combined into complex scenes)
Web-optimized asset packaging compressed to preserve high page loading speeds
Figma 3D asset library integration for seamless UI/UX design workflow
Timeline
10 Business Days
Price
from $2,000
For Large Platforms
Built for enterprise teams, high-scale e-commerce retailers, or SaaS platforms requiring a massive volume of specialized graphics and custom terms.
Custom high-volume asset packs (20+ unified items, like the M.Video layout)
Dedicated design system mapping for spatial interface states
Full handover of source files (.c4d scene files, texture maps, shader networks)
Individualized NDA terms, flexible invoicing, and priority processing pipeline
14 days of direct post-delivery engineering and layout QA support
Timeline
from 3 Weeks
Price
Custom Pricing
No. As a product designer, performance is just as important to me as aesthetics. I use advanced rendering and post-production workflows to compress heavy Redshift exports into highly optimized, hardware-accelerated WebM and MP4 formats, or Lottie/Bottie animations where applicable. They deliver crisp, photorealistic quality with a minimal file weight, keeping your site’s loading speed score high.
For landing pages and interface background elements, the sweet spot is 3 to 10 seconds. This duration allows for a fluid, natural kinetic motion (like a smooth device rotation or floating abstract shapes) that captures attention without creating massive, unoptimized video files.
Every material texture, light source, and reflection is calibrated based on your brand guidelines. Inside the Redshift engine, I configure custom PBR (Physically Based Rendering) shaders using your exact hex color codes or design system tokens. Whether it’s matching a specific signature brand red, a translucent glass opacity, or a matte aluminum texture, the assets will look completely native to your visual ecosystem.
Yes, absolutely. I can take your high-fidelity Figma UI screens, product dashboards, or interactive mobile user journeys and project them directly onto custom-modeled 3D devices (smartphones, laptops, tablet displays, or custom spatial screens) created inside Cinema 4D.
For static packages, you will receive high-resolution raster files (PNG and WebP up to 4K) with transparent backgrounds for flexible layout composition. For motion packages, you receive seamless, perfectly loopable video vectors (MP4, WebM). If you choose the Complete 3D Production tier, you also receive the fully organized raw source files (.c4d project scenes, shader assets, and lighting rigs).
I can work both ways. If your team already has CAD models or existing 3D assets, I can import, optimize, and re-shade them inside Redshift. If you are starting from zero, I build, smooth, and model the polygonal geometry from scratch based on flat wireframes, sketches, or moodboards that we approve during the discovery phase.